Category: Fashion

2017 Oscars Gown Rundown

I’ll tell you this about the Oscars – they’re real.
– William H. Macy

Gather round, ducklings, it’s time to fight in the comments! That blessed time of year has arrived again, the annual Oscars Gown Rundown on SDS, where we admire beautiful things and people…and occasionally throw some shade at questionable fashion choices.

I’m not going to lie, this didn’t feel like an awards show where the fashion was for the ages. There were some beautiful pieces and looks but it was fairly tame overall. The real drama this year lay elsewhere.

First and foremost, I am pleasantly delighted and shocked at Moonlight’s upset win over long declared favorite La La Land. The disorganized mess of having to apologize for announcing the wrong film and then get the correct team and people on stage to take their bow was cringe-worthy. But the fact that a small but powerful film about race, sexuality, poverty, and masculinity upset yet another film where Hollywood is fairly self congratulatory and referential is a win, as far as I’m concerned.

Other major stories were Mahershala Ali’s win for Best Supporting Actor, which I believe is the first win for an American Muslim actor of any kind, and Viola Davis being the first woman of color to win an Emmy, Tony and Oscar award. Asghar Farhadi was not present to accept his award due to the politics of the travel ban, and lots of people were sporting pins or other supporting design elements for the ACLU and other organizations. While the fashion might not have been speaking as loudly, plenty of statements were being made.

The Good

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Viola Davis looked flawless and her speech was powerful–no surprise there whatsoever. Her Armani Prive gown was a stunner and perfectly executed. One design detail more and this would have looked messy, but the single design note of an unusual neckline married to a powerhouse red, and the results just sing.

 

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I will always fall for a deceptively simple looking gown and Brie Larsen’s Oscar de la Renta nailed that criteria. A cross between’s Sargent’s Portrait of Madame X and a flamenco dancer, loved it. I would have liked a different hair/accessories look, however.

 

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Michelle Williams has stuck to a rather precious and twee look for years now. Sometimes it works in her favor, sometimes it doesn’t. This Louis Vuitton is an example of the former. Another deceptively simple frock with some exquisite details.

 

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No, this is not a gown. It remains a “best dressed” contender regardless. Men’s fashion is often wildly overlooked when done well, and is more often bypassed entirely by male actors who phone it in for events or photoshoots while their female counterparts spend hours preparing thousands of dollars worth of couture and accessories to just show up in public. Mahershala Ali did not phone it in, his Ermenegildo Zenga suit is perfectly tailored and (though you can’t see it well in this shot), his suit contains a subtle pattern that is a delightful change from the typical tux. He is also, let’s face, extremely easy on the eyes.

 

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Speaking of not phoning it in! Taraji P. Henson decided she was going to armor up in the the most fierce af getup she could find, and that’s exactly what she did. Another relatively simple gown by Alberta Feretti paired with major jewels and even more major attitude.

 

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Okay, I can admit that Sunny Pawar is here most because he’s adorable. I also admit he could have used a better hem job but I fell hard for his amazing shoes and stay fallen. I’m a big proponent of child actors dressing age appropriately on the red carpet and when I see it, I signal boost!

 

The Middling

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This look proves that the devil really is in the details. Alicia Vikander in Louis Vuitton looks very similar to Brie Larsen in several key elements, but I found this look fussy and overly complicated in a way that didn’t suit its (obscenely gorgeous) wearer. It looks like a ballet costume rather than an Oscars gown.

 

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I love prints on the Oscars red carpet and they are not often deployed, unfortunately. But Scarlett Johansson in Alaia shows why that may be the case. Her hair, makeup, and jewels are stunning but her outfit looks…tacky. The fabric looks cheap, I don’t think that the belt suits the look, and the blouson bust area isn’t doing her spectacular figure any favors.

 

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Sigh. We can set our clocks by it at this point. Charlize Theron is a Dior ambassador and faithfully wears them each year, and each year in recent memory, her bustline has been assaulted in some way by the design. Like unto Scarlett Johansson, the blouson cut is really taking away from this look for me. A bit more fitted and this dress would have been the perfect vehicle to carry off those stunning jewels.

 

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Felicity Jones is absurdly pretty in that English Rose kind of way, but this Dior seemed very twee for such an event as the Oscars. On a younger, perhaps teenage actress this would have been lovely, but it underwhelms for an event that is supposed to be a fashion highlight of the year. Her hair is also very low key which contributes to the underwhelm of this overall look for me.

 

The Bad

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No! No, Dakota Johnson! Whichever of your team members voted for this Gucci gown must be shown the door immediately. The color is not particularly great, but add to it the incredibly basic hair, next to no make up, and top it off with the fact that no one seems to have remembered to steam your dress properly and you have been Let Down.

 

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I wanted to like this Kaufman Franco dress on Jessical Biel, I really did. It looks like a drag gown, and I mean that in the best possible way! But I feel she was badly let down by the styling of the look, her makeup looks harsh and her hair color and style a bit severe when paired with a bold but tailored gown. Normally I like looks to be balanced between drama and restraint, but the restraint here overpowered the drama.

 

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Hailee Steinfield is beautiful, but this Ralph and Russo frock is bad. Fussy, messy, colorless, and looking like bedsheets.

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There was a “buttoned up” micro trend to several looks this year, which is not a bad thing. Done well, severe or even religiously overtoned looks can pack a punch. But this gown on Ava Duverny looks heavy and awkward when she could have looked armored and dangerous.

The I Literally Can’t Make Up My Mind

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A lot of people are falling over themselves to praise Ruth Negga in this Oscar de la Renta but I find myself torn. In some images this looks dramatic and beautiful, in others it looks odd and dare I say a bit frumpy. I have nothing but love for her selection of jewels (bring back tiaras, I say) and I love her makeup look independently from the gown, but I find them a bit oddly matched together. The darker garnet shades of her jewelry and smokey eyes don’t seem to match the better aspects of a floaty, peasant-y frock. Help me make up my mind, kittens!

 

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Janelle Monae has developed a red carpet persona that she rarely deviates from: black and white and drama all over. This Elie Saab is certainly dramatic! A cross between 18th century, Elizabethean, and fetishwear, I should be all over this, but it’s not coming wholly together for me. I think that having both a sheer top and sheer paneled inner skirt made the look veer more towards tacky while all of the embellishments seem to compete. I’d have loved this look more if the skirt had stuck with either the layers of beaded black tulle, or committed solely to the layered white motifs. Both are too much.

 

Best Dressed

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Emma Stone’s Givenchy dress was the runaway red carpet star for me. The subtle gold tones were varied enough to keep from being flat, while the detailing did the heavy lifting. From the Old Hollywood hair (which I’m always a sucker for) to the simple yet stunning beauty look (apparently by Nars cosmetics), she clearly came ready to walk away with her Oscar. A gorgeous look!

Weekend Links

“You can never be overdressed or overeducated.”
― Oscar Wilde

Woof. I compile these posts throughout the week, updating it to make sure that news links are as current as they can be, and that notes of levity and enjoyment are liberally scattered throughout. I know things have gotten a bit heavy around here lately and I had every intention of a links post thick with Fashion Week highlights and apolitical links to lighten things up. I’ve got those too, but it’s also been a big week for news, which led me towards doing separate post on the big story.

Thus far I still haven’t put words together to speak intelligently about the presidential press conference–apt, since neither did the president in many ways. To date, he’s sowed the seeds to blame one branch of government if something terrible should happen (if committed by a Muslim of course, white people shooting up mosques seems to be fine), a second branch of government seems to be in some kind of grim Faustian pact to go along with him as long as he signs their legislation, and he’s on a tear of a campaign to delegitmize the fourth estate who scrutinizes his actions. So things are going great, guys!

To make up for the emotional roller coaster that is Western democracy at the moment, here is an extra large dose of links for you, kittens. Never say I don’t do anything for you!

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This piece by Andrew Sullivan for New York Magazine is important reading and discusses the unfortunate fact that we have a president who seems to throw out countless lies and mistruths weekly–usually in the face of empirical evidence–and thus far does not seem to have retracted or apologized for any of them. He is not being held accountable in any way. He also gave an interview to CNN that’s worth viewing. When, “No error is ever admitted. Any lie is usually doubled down by another lie — along with an ad hominem attack,” what is at stake for government and the citizenry? His position, somewhat daringly, is that the president is outright mentally unstable, which is the source of a decent amount of debate-including whether or not it’s even appropriate for people to speculate on the matter. This letter, for instance is a nice and effective rebuke. To the comments, kittens, and lend me your thoughts.

After all the hullabaloo about privacy and securing information on Secretary Clinton’s part, this is just ridiculous.

Well, now we’re totally safe… To be clear, there are plenty of images of past “football” carriers. But none that I’m aware of that have posed for pictures.

This is a pretty good breakdown of the legal quagmire that is the executive order on immigration as it stands at time of writing. (Things may change. As should be abundantly obvious by now.)

For heaven’s sake, we must avoid hurting his feelings!

This twitter feed is hilarious and heartbreaking. It envisions an alternate reality where Secretary Clinton won, the news is not wholly ridiculous, and First Gentleman Bill is sent on a lot of errands.

History and the rise (and fall?) of facts.

This woman makes my Money Month project look like amateur night at the roadhouse.

I loved this piece at The Everygirl about Beyonce and Adele at the Grammy’s last weekend, which speaks bluntly about black artists losing to white ones consistently and how what could have been a twitter war between the stans was prevented by the genuine positivity of women loving and supporting other women.

NPR has a deeper read into race and the Grammys that’s well worth a look in.

It took less than a month for a scandal to bring down a major player in the administration which, while in line with my predictions, does not bode well. All I will say is that given the layers to the Gen. Flynn story (most notably the fact that now-former Acting Attorney General Yates apparently alerted the White House to the potential threats and was fired only days later due to her stance on the immigration ban, and the fact that timelines being put forward by various staff simply isn’t matching at time of writing), I expect the press, government officials, and voting public to give at least as much scrutiny and attention to claims of foreign interference in our government as they did to Secretary Clinton’s emails.

Pantsuits on women was a major trend this NYFW. Cannot imagine why.

After all the shouting and bluster about security privacy and Secretary Clinton’s emails, to see national security policy play out as dinner theatre is completely beyond the pale.

How are our feelings about death, lately?

This is a thing?! My theory of dating (granted I’ve been out of the game for a decade) was that s/he who asks, pays. Full stop. Have the rules changed that much?

A piece from the New York Times about the rise and fall of celebrities at fashion week shows.

This interview with Kelly Cutrone on the state of the fashion industry is also a great read.

Gorgeous photos of a movement that I, for one, need to know more about.

NOPE. Also, if I’m a “host,” does that make any potential fetus a parasite? Careful what words you choose, people.

Into the Gloss tracked some of the best beauty looks from NYFW. I didn’t know I needed neon eye shadow, but suddenly I do. Intensely.

One of my “ones that got away” in terms of vintage or second hand buys is a leopard print coat that I to this day deeply regret not snatching up. Jenna Lyons is not helping my nostalgia.

All things considered this week, this news seems super not great.

The story of the assassination of North Korean dictator’s Kim Jong-un’s half brother gets more bizarre every day.

This post by the great and good Caroline Hirons is a nice catch up to some of the latest beauty launches, but her final paragraphs on blogging and having an opinion really caught my eye.

Here’s a nice, completely apolitical tale of humans being nice.

Album of the week: Life Will See You Now, by Jens Lekman

What Do You Already Have?

“Buy what you don’t have yet, or what you really want, which can be mixed with what you already own. Buy only because something excites you, not just for the simple act of shopping.”
― Karl Lagerfeld

This weekend and next week I am going to do a wardrobe review of my closest with an aim of putting together that lookbook project I have for myself. Why? Because–not to brag–I have great clothes and I want to use them better than I do. It’s taken me years to do it, but I’ve put together a wardrobe with which I know I am happy and that serves almost all of my needs. It was a purposeful project too, I didn’t sling money around willy nilly. Over time I found the styles that I liked and suppliers who provided clothing I found attractive in ethical ways. I put together lists of gaps in my wardrobe and filled them a piece at a time. I bought from second hand or consignment shops, eschewed fast fashion, invested in quality brands and well made products.

I am on record as being content with my wardrobe where it’s at for right now. I am not looking to buy the next furniture pieces for our apartment for months. I don’t want any household goods at the moment. I’ve cut myself off from frivolous spending for months.

So, why am I still subscribed to a seeming infinite amount of mailing lists?

Since Christmas I’ve been unsubscribing left and right from suppliers who seem to bombard my inbox daily with discount codes, offers of gifts with purchase and, in more than one sneaky emotional attempt at my wallet. “We miss you! Come back and check out our store.”

Consumerism, you are not subtle!

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image via StockSnap

It got me thinking though, about all the ways we are surrounded by messages telling us to spend to buy more. It’s constant. From window displays to pop up ads, even arrangements of goods and signage at grocery stores, it is everywhere and a lot of it is subliminal or emotionally based. Trust me, I work in marketing! There are companies spending huge amount of time and resources to get us to spend our time and resources on consuming their products and come back regularly for more.

And I know I’ve been suckered by these kinds of messages more than once. I’ve bought the 2 for 1 deal on groceries and ended up throwing out food that I didn’t manage to cook fast enough. At this moment, I have multiple bottles of the same spice in my cupboard because at some point another I was either too busy (or more likely lazy) to double check if I already had it before putting it on a shopping list. I’ve been lured by the siren song of discounts. Hence my desire to eliminate as much advertising as possible from my life, as part of this conscious attempt to shift in my money mindset and exert a bit more effort in planning out my spending in advance.

Not only that but these days it’s frighteningly easy to spend money. I’ve mentioned in the comments section before that one of the inspirations for this project was a day where between a trip the dentist, dry cleaning, and groceries, I dropped over £100 in a single afternoon. I didn’t even have to leave my neighborhood to accomplish this. Almost everything in Western consumerist culture is built around the idea of eliminating a customer’s reason to say “no.” As a result, products are cheaper and more quickly to hand than ever before. In some cases this is great–I for one like regular and affordable dental care! But in many, many others, it’s bad for us.

If you are buying fast fashion, especially as a woman, you are buying crap. That stuff is practically designed to fall apart the first time you wash it, requiring you to make another trip to the shop and drop some more coin on a replacement that was probably produced by low wage labor at tremendous environmental cost. If you are buying cheap and processed food, you are again buying crap. It’s enjoyable as hell, yes, but it’s not providing you a quarter of the nutrition you need and very likely contributing to any of the vitamin deficiencies and physical ills that affect our society. 9 times out of 10, if you are buying a branded product for your home, a chunk of your spend is for the name of the item rather than any intrinsic material value.

Now, I’m wholly not opposed to some of these as tradeoffs. We might have bought our sofa on sale, but we still bought it from West Elm. I’m just as guilty as anybody of being susceptible to style or brand cache.

But in my day to day life? I know intellectually that in many areas I have all I need for right now. Hence my decisions to be aggressive about monitoring and clamping down on my less-conscious money decisions. Eliminating emails beckoning me to buy things I don’t need was one step. Putting together a lookbook documenting my wardrobe is another, and I’m also in the midst of a kitchen audit to keep a better stock of my food basics so I can use ingredients I already have to hand in cooking. It’s small potatoes, maybe, but I want to be very conscious and more intentional about knowing and using what I already have.

How about you guys? What do you already have that you could use better, more often or more intelligently? Have you ever tried specifically to reduce your waste or consumption? Are you susceptible to any particular temptations and, if so, how have you staved them off? And have you ever gone on a massive unsubscribe spree? 

Bans, Budgets, and Cutting Myself Off

“To be really mediæval one should have no body. To be really modern one should have no soul. To be really Greek one should have no clothes.”
― Oscar Wilde

What’s your relationship with shopping and consumption, kittens? I’m curious because I’m in the process of resetting mine, and that’s primarily what we’re going to be chatting about this week.

Towards the end of last year I did the first of three shopping bans as part of my 101/1001 project. The self imposed rules were simple: regular expenses, utilities, and things for the house were permitted, but all personal purchases (with the exception of toiletries or replacing an item if damaged beyond repair–RIP cheap, shredded tights, hello Heist) were verboten. I’m not a massive clotheshorse or a major spendthrift, but I’m also not immune to consumer culture and its emotional traps, hence my goal to push the pause button on self-centered consumption at least once a year.

Rather sneakily, and perhaps not fully in the spirit of the challenge, as previously mentioned, I timed it so that the first ban would end in time for Black Friday. My motives were partly altruistic (Christmas shopping for other people) but not entirely. However, after three months of not buying anything for myself…it turned out that I didn’t want much.

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Stuffocation?

One of the things I started doing last summer and during my first shopping ban was to start and keep a “To Buy” list. If I spotted an item I like, a trend I wanted to try, or a piece that appealed to me, I wrote it down rather than whipping out a card/cash or trying to justify buying it. I sat on the idea for a while. Shock surprise, it often turned out that a trend played itself out in a matter of days or weeks, the appeal of a piece faded, or…I just didn’t think about it again until I consulted my list and remembered, “Oh yeah, I did see that. Guess it wasn’t as memorable as I thought.”

By the time my self-imposed strictures lifted, I took a look at my list and asked myself what I really wanted. The answer was a handful of shirts/sweaters that would be good enough for work but also dress up my casual clothes (an ongoing project), a bag to replace my day-to-day one that was ripped and stained, one new accessory, and one trend piece (a velvet blazer)–plus beauty buys. So counting Black Friday and excluding Christmas presents, my end of year personal shopping comprised the following:

Glossier/Pestle & Mortar – skincare and not really part of my ban, but I’m counting it for the sake of full disclosure (discount codes)

Sephora – makeup (Black Friday deal)

Everlane – two shirts and a sweater (discount code)

Nepheliad – a pair of earrings (discount code)

Brora – two sweaters (Black Friday deal)

282 Portobello Road vintage – a blazer and a coat (discounts from shop seller, and the coat was my Christmas present from Jeff)

Portobello Road vintage seller – a bag (haggled down price)

And that’s it. I decided that was going to be the total of my fall/winter shopping for this year and I’m considering my wardrobe updated for two seasons. Almost on the heels of one shopping ban I dove straight into another and the list above will represent everything personal I purchase for six months total…if I don’t screw up. The timing of this second ban also isn’t entirely altruistic because I’m publicly documenting my spending this month and don’t want to be disgraced in your eyes; I consider your oversight a way to keep me honest, kittens.

Your turn: talk to me about how you spend and why. Do you have regular luxuries you allow yourself? Are you tightening your belt, and if so, how? I’m very nosy, but genuinely want to know!

Fashion Find: Ragyard

“There is good clothing design on every level today. You can be the chicest thing in the world in a T-shirt and jeans — it’s up to you.”
― Karl Lagerfeld

So you’ve been noticing the (fantastic) trends towards embroidery and embellishment? So you’ve been eyeing those Gucci knits and patched everything floating around your pinterest boards and street style sites alike? So, awash in these musing, you think of your bank account and collapse into hysterical tears?

I’ve got you, kittens.

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Behold Ragyard, a shop I stumbled into by accident in Shoreditch but which also has a Portobello Road outpost. They stock their own pieces featuring embroidery and patchwork in fairly small numbers. Some of their stuff could be outright festival wear but styled right and you’ve got a dead ringer for looks off the runway (or worn by tastemaking editors). Basic research also indicates they occasionally do one-of-a-kind pieces that I want to dive into a bit more.

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The last thing I need is more lazy athleisure wear but the sweatshirts are oddly seductive. I’m currently sitting on my hands and being good, however I’m  curious to see how the tease of these new snake patches is going to play out eventually and so might give in to temptation in the near future.

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Everything Old is New Again

“There are moments, Jeeves, when one asks oneself, ‘Do trousers matter?'”
“The mood will pass, sir.”
― P.G. Wodehouse, The Code of the Woosters

This gentleman is a fabulous steampunk Cossack pirate, and I buy clothes from him.

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I do not buy too many new clothing items these days. Exceptions are things like work clothes; I am in the process of building a small arsenal of work dresses and investing in high quality tailoring with the aim of building a capsule work wardrobe. But other than that, I have not bought new clothes in a long time and have instead bought things almost entirely vintage or second hand. There are a few reasons for this.

First, I’ve mentioned before what an impact reading this book made on me. Even though it was now several years ago, it has had a lasting effect on my shopping habits. More stuff, cheaply made is not good for anyone. Not the planet, not the below-minimally-paid garment workers of the world, not me. Too much bad stuff is suffocating society and the clothing industry is a major culprit.

You might not think it to watch my social media feed, but my closet has actually gotten significantly smaller over recent years as I’ve winnowed out cheap clothes and bought fewer but better pieces. Learning to be more intentional about my spending habits has been one of the primary mental shifts I experienced transitioning out of university, into work, then into freelancing, and finally into my current role. Even though what I buy is now more expensive per capita, I’m getting significantly more wears out of each item, replace them less frequently, and buy better quality in the first instance. More money but less shopping overall, and a surprising amount of money saved as a result.

Second, I love vintage clothing. Not the head-to-toe look that only someone like the incomparable Dita Von Teese can pull off, but individual, well made, well cared for pieces that will never go out of style. It’s how I bought an excellent British tweed jacket, for instance, that I will probably own for the rest of my life.

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But shopping vintage or second hand also has a secondary benefit to overall quality: you are much, much less likely to see someone on the street wearing the same thing as you. In a society where fast, cheap fashion is everywhere and the same handful of retailers provide a huge majority of clothing to the general population, wearing something different can set you apart. It can also help you find amazingly fun items that really speak to your personality or sense of fun. The Cossack pirate sold me a vintage kimono that functioned as menswear in its original form, but now is my “opera coat” or going out jacket. Occasionally, on the advice of the Great and Good Caitlin, I flip it inside out to show off the hand painted panel. Why not?

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I did not buy this leopard print fur jacket, but that’s strictly due to reasons of poverty.

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I tried to be a good little Londoner and wear mostly black for a long time (and still occasionally do go monochrome for convenience and/or laziness), but eventually gave up. I love color and personality in my clothes too much and always need a punch of something on my person. Second hand or vintage shopping allows me to hunt for things like this that would cost me my firstborn child or a kidney to buy new. And because I no longer buy clothing on a whim; rather I spend time hunting for things that I really want, that really fit, and that I genuinely love. I spent a year trying to find a Sukajan jacket with a fun design (this one is actually reversible–two jackets for the price of one!) that actually fit me before finally forking out any money for one.

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The third reason to not buy new clothes ties to my second. Because my industry is so image conscious, the clothing that people wear telegraphs messages constantly. The best sales agents I have ever seen can take one look at a man and accurately estimate his income based on his watch or shoes. They can make a pretty decent guess about a woman’s industry and even educational background by her accessories. It’s scary how much people can tell at a glance of you.

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When I say I’ve been investing in a work wardrobe, I mean it literally. Some brands or items or even stylistic looks carry a certain cache that I in turn want to tap into when presenting to external companies or meeting with clients. I want to be in control of the messages my appearance puts out about me or whoever I happen to representing at the time. “Power bag” or “power heels” aren’t buzzwords, I have been treated very and noticeably differently based on which shoes I have chosen to wear to client or investor meetings. It may sound frivolous, but it’s anything but. Buying secondhand allows me to spend less on items of clothing that would otherwise be utterly beyond my price range, but are very real tools in my trade. Living in a city like London where fashion flows constantly, pre-owned doesn’t even necessarily mean used! Last winter I snagged a gorgeous Miu Miu coat in a beautiful wool (incredibly warm) with an embellished collar and spiked belt (again, why not!) that still had the tags of its original purchase on it.

Having bought clothing almost exclusively second hand for years now, I don’t really see myself going back to buying new except in a handful of instances. Not only are the perks of saving money and finding wholly unique items too good to give up, I genuinely enjoy the hunt for bargains or stellar finds. It makes getting dressed more fun and gives me a story to tell with nearly everything I put on. I’ll take it over cheap fast fashion any day.

2016 Oscars Gown Rundown

“Dress shabbily and they remember the dress; dress impeccably and they remember the woman.”
― Coco Chanel

It’s that time again, ducklings! Sharpen your opinions and your claws and let’s prepare to violently disagree with one another in the comments section: the Oscars Gown Rundown has arrived.

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Leo (finally) won an Academy Award and now tumblr will have to make a new level of memes to compensate for their pop culture loss. Seriously, though, I’m thrilled a movie about journalists reporting on religion won best picture–let’s face it, it’s my bag. But Mad Max also won for costuming, Thomas Cromwell–beg pardon, Mark Rylance got a well earned award, and Inside Out took home the animated category. I don’t have major objections to the lineup this year, minus the hugely valid #OscarsSoWhite conversation, worth noting. And so, to the judging.

 

The Good

Cate Blanchett

Let’s get this one out of the way because I somewhat expect to be shouted at for it, but I don’t care. Cate is Queen. This is not the first time she has worn a gown that would look awful on any other, lesser mortal and pulled it off, and it will not be the last. For that alone this Armani gown deserves love.

HOLLYWOOD, CA - FEBRUARY 28: Actress Brie Larson attends the 88th Annual Academy Awards at Hollywood & Highland Center on February 28, 2016 in Hollywood, California. (Photo by Jason Merritt/Getty Images)

Brie Larson has already made a bit of a reputation for interesting red carpet looks. Some of them work, some are noble failures, but she is never boring. This custom Gucci suited her eclectic style perfectly. I don’t love the neckline (in fact I think the whole bust area looks a bit odd…which will be one of our themes for today’s reading from the Book of Style) but the color is beautiful and she won me over when her amazing belt demanded I bow down to it. So I did, and so I do.

 

 

Margot Robbie

Margot Robbie has decided she is the second coming of Michelle Pfeiffer, and I have decided I am here for that shtick. She’s found a look (late 80s and early 90s to be specific) and she is working the heck out of it thanks to Mr. Tom Ford. That being said, the hair really brings this look down…

 

HOLLYWOOD, CA - FEBRUARY 28: Actress Kerry Washington attends the 88th Annual Academy Awards at Hollywood & Highland Center on February 28, 2016 in Hollywood, California. (Photo by Jeff Vespa/WireImage)

Kerry Washington in Versace. Yell at me, sue me, I don’t care. The slit ends just south of the law from the wrong angle, the hair is not great, and Versace is a brand that often flirts with (or downright wallows in) tacky. It’s also a mix of couture, Wonder Woman, and operatic Valkyrie and I will defend that combo to the bloody death.

 

51982684 Celebrities arriving at the 88th Annual Academy Awards at the Hollywood & Highland Center in Hollywood, California on February 28, 2016. Celebrities arriving at the 88th Annual Academy Awards at the Hollywood & Highland Center in Hollywood, California on February 28, 2016. Pictured: Naomi Watts FameFlynet, Inc - Beverly Hills, CA, USA - +1 (310) 505-9876 RESTRICTIONS APPLY: NO FRANCE

Naomi Watts in Armani is a gorgeous, mythical mermaid and there is precisely nothing you can do about it.

 

Julianne More

Julianne Moore in Chanel. Fierce.

 

The Question Mark

Lady Gaga

I don’t…hate this Brandon Maxwell design. Should I? I think out of the box dressing should be rewarded on red carpets (and in real life) far more than it actually is, so I personally am all for the use of lady-trousers on the RC. But, alas, Weird Boob Syndrome struck again and I would have preferred to see a pair of killer shoes, which we all know Stefani can fully deliver. I really love her retro Hollywood style phase and think it serves her far better than the Meat Dress period of her…being alive and in public(?)…career, but this could have used a bit more and better styling.

 

Alicia Vikander

Another girl experimental in her style, I should like her choice, right? Sorry. While I cannot relegate Alicia Vikaander to the Bad or Ugly category, I can say that I do not like or support that Louis Vuitton OR its hemline in the slightest and find the color a bad one for her complexion. The jewelry and shoes, however, can be handed over. Now.

 

attends the 88th Annual Academy Awards at Hollywood & Highland Center on February 28, 2016 in Hollywood, California.

I like Daisey Ridley. I like Chanel. I cannot for the life of me decide if I like them combined on the Oscars RC. Make up my mind for me, darlings?

 

51982674 Celebrities arriving at the 88th Annual Academy Awards at the Hollywood & Highland Center in Hollywood, California on February 28, 2016. Celebrities arriving at the 88th Annual Academy Awards at the Hollywood & Highland Center in Hollywood, California on February 28, 2016. Pictured: Charlize Theron FameFlynet, Inc - Beverly Hills, CA, USA - +1 (310) 505-9876 RESTRICTIONS APPLY: NO FRANCE

Another year, another Charlize Theron + Dior = Boob Situation. The only thing that saves this for me is an absolutely expertly deployed use of some major jewels, but I’m willing to throw it out to the Minion Coterie: tacky as hell, or sexy as hell?

 

Amy Poehler

Amy Poehler in Andrew Ng. Come at me, bros! It’s different and I like it! We can step outside if you want! …Or, maybe I don’t like it as much the more I look at it? Take it to a vote, guys, I’m confused.

 

 

The Bad

Olivia Wilde

Bad Busts (also the name of my new punk rock band) strike again. Behold a particularly egregious deployment thereof. This Valentino gown is doing a gorgeous woman precisely zero favors, and the gym-hair and Edwardian choker are not helping. A major pass for me.

Mindy Kaling

I LOVE Mindy Kaling, but this Elizabeth Kennedy dress looked matronly and dull when she is manifestly neither one of those things! I like a salute to Old Hollywood as much as the next girl, but the fabric is too stiff and bulky here and the black looks dull. If she had opted for a full gown in that same shade of blue, she would have looked amazing.

 

Charlotte Riley

Charlotte Riley is a genuinely beautiful and interesting looking woman. This gown is neither of these things. It is aggressively bad. And again, a woman’s chest area is under assault–who did Anna Wintour snap at to make bad necklines A Thing this year? Was she angry? Are boobs “out” now?

 

Rooney Mara

I know, I know. It’s Rooney Mara in Givenchy. This is her look, that is her designer, and I admire her for developing a red carpet persona that delights in the weird and strange. But I didn’t like this at all, the cutout wounded me.

 

Jennifer Lawrence

Despite her contract with Dior, I manage to recoil from a surprising chunk of her RC picks–although let the record show that she has appeared on my best dressed lists in the past as well. None of this works for me, though, from the hair to the makeup to the Victoriana of it all.

 

Rache McAdam

Silk and green, if history is any indicator, I should like this look, but this August Getty gown looked bad on Rachel McAdams. It was wrinkled, it’s lines were too long, meaning instead of slinking it sort of slopped as it moved, and overall just managed to look like a sheet. Pass.

 

The Downright Ugly

Heidi Klum

There is but one entrant in this category this year for reasons that should be self evident. Let us set aside the recurring cleavage problem and pause to reflect that Heidi Klum is an international supermodel with TV shows, businesses, and a portfolio of work that most lanky, doe-eyed teenagers dreaming of fifteen minutes of fame in a tweet-length-attention-span world can only dream of. And this Marchesa is what she either was 1) given or worse, 2) chose to wear to one of the most watched fashion events of the year. In internet parlance, I am unable to even.

 

My Best Dressed Pick

HOLLYWOOD, CA - FEBRUARY 28: Actress Saoirse Ronan attends the 88th Annual Academy Awards at Hollywood & Highland Center on February 28, 2016 in Hollywood, California. (Photo by Steve Granitz/WireImage)

The gown is Calvin Klein and sheer gorgeousness. The color (besides my obvious bias) nods to Saorise Ronan’s own background as well as the movie she starred in, it is on trend and still visually interesting (the back is stunning, see here) and she is styled beautifully. The overall look is so gorgeous that I can’t even be bugged by the deliberately color contrast earrings, which would normally make my eyes twitch. Hands down, this the dress I want to run away with from this year’s lineup.

Your turn, kittens! Which looks did you love, hate, or still not yet made up your minds about? And if you want to sling some opinions about the nominees and winners too, it’s a free for all!

Two Words: Customer Loyalty

“Buy what you don’t have yet, or what you really want, which can be mixed with what you already own. Buy only because something excites you, not just for the simple act of shopping.”
― Karl Lagerfeld

Our Easter weekend meanderings was a fascinating example of the best of shop culture that I’ve found in Britain and not found anywhere else. America might be run by consumer culture, but I’ve never lived anywhere that does shops like I’ve found here. On the other hand, I shouldn’t be surprised, Britain has been built on shopkeepers and mercantilism for centuries. But in an age of brand shopping, fast fashion, ready made everything, and general convenience being king, it’s kind of great to see how personal business can be.

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Our first stop of the day was Alexeeva and Jones, to pick up some Easter chocolate. We got to chatting with the woman assisting us, and it turns out that she was one of the founders! I expressed how much I enjoy the fun and unusual chocolates they carry and she immediately asked if I was a repeat customer, and had I been given a discount? Yes, and no respectively. She immediately whipped out her business card and wrote us a personal 10% coupon, no expiry date.

Feeling pretty pleased, we headed up to 282 Portobello Road. I have been on the hunt for a tweed jacket for months and to be frank, most off the rack stuff doesn’t fit me. I’m a petite woman with a short waist, and a definite hourglass figure, but broad ribs. It’s a tricky business finding me any clothing that fits correctly–believe in tailoring, kittens–and I’ve not had a lot of luck with jackets in general.

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As far as I’m concerned, if you’re looking for vintage clothing that focuses on classic British houses, cuts, and tailoring, Claudia is the woman you need to see. I’ve written of my unabashed enthusiasm for her before, but life and work have been so busy for months now and I haven’t had the time to visit old favorite haunts. Well, after months of looking in all the wrong places, I walked into 282, and found a 1950s jacket almost immediately that looked like it was cut to my exact frame. The sleeve length, the lapels, the fit…it’s perfect. As she was ringing us up, Claudia glanced over at us and declared, “You guys have been here before.” We had, but as a mentioned, it hadn’t been in months. I said as much but she just beamed, “I love it when people come back and find something they love.” And she gave me an instant price reduction.

Finally, on Sunday we went to Spitalfields to get a “scotch egg brownie” from Flavourtown Bakery–maker of the finest cupcakes in the city, as determined by SDS Industries. We hang out at Spitalfields regularly on the weekends and have been buying treats from Flavourtown for months. The owner recognizes us, knows our favorites, and makes recommendations. That day was no different except that we had a long chat about how they’ve started supplying two of the most famous department store foodhalls in the city, how one of their lead team members had to leave due to family reasons, and the general ups and downs they’ve experienced. In the end, we bought a box of cupcakes (along with some helpful tips on how best to freeze them so as not to glut ourselves on sugar), and got the last “secret” flavor of the week cupcake thrown in. Pro tip, like them on Facebook, fans get extra treats.

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In rapid succession, I saw how personal relationships build business. As someone who has (believe it or not, based on this post) tried to cut down on a lot of unneeded consumerism in her life, it was an insightful weekend. A woman learned I valued her product and immediately provided me a way to enjoy it more, benefiting us both. Another woman recognized me as a repeat customer who expresses enthusiasm for what she’s enthusiastic about, and helped me get something I’ve wanted for months for just a little bit less. I know I’ll be back to buy from her again, and it has nothing to do with the discount. And finally, a guy who probably enables my sweet tooth too much, and who has countless of customers across multiple markets and shops, takes time to recognize his regulars and engage with them genuinely. As a result, we make it a point to keep coming back to say hi and see how he’s doing. We inevitably come away with a treat.

It’s not just these guys either! Now that the weather is warming up, I’m shopping at markets again and I get recognized by produce stand owners, cheesemongers, and breadmakers. I’ve asked shopkeepers for advice from cloth to cuts of meat and gotten minor educations. I don’t know if it’s the tradition, the relative small size of the country, or just something in the culture, but the British do shops far better than anywhere I’ve lived, and they seem to do a better job about sustaining them as well. It is possible to build a business out of something someone is desperately passionate about here in a way I’ve not found in a lot of other places. I hope I never have to give them up.

Weekend Weirdness

“The computer can’t tell you the emotional story. It can give you the exact mathematical design, but what’s missing is the eyebrows.”
Frank Zappa

Coming in too late for the links, but must be discussed anyway.

We’re friends, right? And friends share weird life facts, right? Well, inspired by Cara Delevigne and the absolute deluge of thick brow-ed beauties gracing the world of media and print advertising (plus some over zealous plucking in my youth), I’ve been growing out my eyebrows for a while. Which is a strange thing to type let alone do, but bear with me. I speak as a woman who has worked in a women’s magazine for a WHOLE WEEK now and is therefore clearly an expert, big eyebrows are A Thing and moreover, A Thing Of Which I Approve. However, this surgery completely freaks me out.

 

Vintage Shopping in Cheshire Street

“In the fashion industry, everything goes retro except the prices.”
― Criss Jami

One of my finds during the other weekend’s adventurous rambles was Cheshire Street in Whitechapel. Like other areas that have drawn specific immigrant groups in the past, this part of town has become the home base for a lot of the Bengladeshi immigrants coming to London over the last few decades, and many of the street signs reflect this. Which is initially what caught my eye.

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Turning the corner to glance down I spotted a rack or two of  vintage wares on the pavement so I started down to have a look. And then I realized that shop after shop after shop, all the way down the street, was dedicated to vintage clothing, accessories, textiles, and lifestyle items. I spent at least an hour just going through them and doing some fantasy shopping for myself and friends.

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The shops specialize quite nicely, some deal with everyday clothing and some deal strictly in couture and designer wear which was fun to just rifle through and fantasize over. I was tempted by a cloche style hat from the 1930s but really couldn’t justify it – especially when it felt so warm and bright out. Oh right, and poverty. That too.

This rack is entirely filled with homemade, totally unique simple kitchen aprons that I know for a fact that some of The Girls would simply die over – Amy and Jess, behold your probable future Christmas/birthday present!

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The owners were all incredibly friendly. Where some of the designers at markets, understandably, don’t want you to photograph their creations, the vintage shop owners let me snap shots with abandon!

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Vintage is not everyone’s thing, and admittedly it’s only mine to a degree (as much as I commit myself to buying quality second hand, some decades’ silhouettes are simply not for me!), but it is a lot of fun to explore and look through. And occasionally you do find a steal which does make the search worth it. Anyone willing for a full on raid of this street on any given weekend, hit me up, I’ll gladly show you my new favorite haunts!

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