Category: Fashion

A Jacket Interlude

“Miss Rhode Island, please describe your idea of a perfect date.”
“That’s a tough one. I would have to say April 25th. Because it’s not too hot, not too cold, all you need is a light jacket.”
– Miss Congeniality, 2000

Deploying the First Lady is something the Trump administration does rarely but damn effectively. She really is an under utilized resource, and like many others I don’t know if this is down to personal preference or genuine strategic thinking to keep her PR value high.

So, with that in mind,  let’s fight about this jacket. I’m pretty well convinced this is intentional and strategic. Melania Trump, a former model and genuinely well dressed and shod woman, knows how to use fashion. See also, her pussy bow blouse during “Grab ’em by the pussy” week, her choice of stilettos when visiting a flood zone which may or may not have been practical but certainly got people talking, her excellent (and I mean that sincerely) handling of the French president’s state dinner including her style choices, and so on.

There is a reason we watch First Lady fashion and while it’s far from the most important thing to talk about right now, it’s not insignificant or incorrect to talk about it.

The jacket in question.

Is this a signal of disdain to immigrants? Is it a signal of disdain for her own husband and his policies? Is she supporting the administration? Is she trying to embarrass it from inside the house? Is she triggering the media? Is she pandering to the media? It’s aggressively ambiguous and open to interpretation. I’m almost perversely tempted to tip my hat to this EXPERT trolling/attempt to seize control of/disrupt the narrative, and I have no idea what her intentions are.

I wish we could all let go of the silly idea that she’s a beautiful-but-dumb woman trapped in her marriage. She’s long been willing to play second fiddle to her diva partner but she has never, ever struck me as unintelligent. She’s also not lived in Trump world this long without learning how to use its tricks and The Art of the Headfake is a classic Trump move. It’s wild to think that if her husband were half a subtle as she, he might be twice as effective. Dreadful thought.

2018 Oscars Gown Rundown

“Style is a way to say who you are without having to speak.”
— Rachel Zoe

This was a fairly staid year for the Oscars, which was probably appropriate seeing as how the industry has been rocked by a series of scandals at the highest levels of influence and power. Several of the speeches and acts throughout the night acknowledged the tensions and conversations without our society at the moment, but of course the clothes carried much of the action in their own right.

On the whole I found this a much less boring year style-wise than we have seen recently and there were a lot style themes to enjoy: women warriors, men in color, experimentation in volume (not all of them good…), and in many cases a sense of play. While the results didn’t always work, I’m glad to see more experimentation this year and hope it’s a sign of things to come in fashion and red carpetry in an age of #MeToo, #TimesUp, demands for better and more diverse representation, and diverse stories.

Enough pontificating! Sharpen you claws, my darlings, it’s time to opine on people’s fashion choices!

The Good

Gal Gato does a mix between a flapper and a superhero get up and I love it!

 

 

Screen legend and EGOT winner Rita Moreno chose to wear the gown she wore to the 1962 Oscars where she took home a trophy for West Side Story. There aren’t enough bow downs in the world. She is the very definition of a grand dame!

Mary J. Blige looked sublime in this frock. Apparently she is coming out of a nasty divorce and I can’t help but seen something of armor in her beaded bodice. Amazonian in the best possible way.

 

Jane Fonda in Balmain. Bitch don’t age.

 

Greta Gerwig in Rodarte which brought a much needed sense of lightness and whimsy to a fairly serious red carpet in an introspective season. Rodarte is notoriously difficult as a design house and many of their creations don’t seem to work off the catwalk, but the designers seem to have found a better rhythm lately and this one of the best of their work I’ve seen in a long time. Sunlight in frock form!

 

Danai Guira has been rocking a glorious warrior woman aesthetic for the whole of the Black Panther premier campaign and it has been fabulous to watch. So I think this choice of an almost demure princess-y gown in a highly feminine pink was a smart design move to flip the script of her recent red carpet narrative. It’s a relative “simply” gown but I had to show the Watteau pleats in the back to show how well constructed it is. Those jewels are to die for and the general of the Dora Milaje slipped out with just a touch of warpaint!

 

Lupita Nyong’o, meanwhile, went full glamazon! Her first Oscar gown was a beautiful Armani cloud that was light, ethereal, and dreamlike in its quality. She could not have flipped her own script more. This, much like some of the other styling I saw throughout the night, felt a bit like armor. I can’t help but get the sense that the women of Hollywood came dressed to do battle and, since they literally use clothes as communication for a living, I take that as a sign of things to come. Excellent.

Paz Vega does the correct amount of whacky in Christopher Bu. This could have gone utterly off the riles, but works for me in a weird way because she kept her styling so minimal.

Like I’m not going to show love to either Octavia Spencer or an emerald gown!

 

The Bad

The fun bit!

Maya Rudolph, representing the nation of Gilead…

When bad gowns happen to brilliant actresses… Sally Hawkins brought a very recognizable British nonchalance to the red carpet. It’s a grossly sweeping statement, but I find that there is a difference in how American actors and their international counterparts treat the red carpet. In the US, it’s very literally part of the job of being a star. Negotiations for pieces and the careful, coordinated use of clothing in promoting a film is a real industry making serious money. This isn’t to say that film stars of other nationalities don’t do the same, but I see less intensity from international stars (particularly those with a stag background, as so many of the best British actors have). You get the sense that they just aren’t going to Botox and constrict themselves within an inch of their lives, wear treacherous shoes, or frankly just make more of a fuss than they personally want to for a red carpet. Not even the Oscars. While I’m personally very supportive in theory, the Oscars (for better or worse) have a great deal with how you choose to look or present yourself to the industry and I don’t think this gown was a good choice.

Emily Blunt is harnessed into a Victorian nightgown here. The color and the lace effects look drab and silly. A different color with different accents (leather or metal for instance) would have changed this whole look around.

 

Zendaya is a magnificently beautiful young woman who looks as if she’s been shipwrecked and forced to swath herself in the remains of sails and riggings. Her face looks incredible, but the rest of this is dreadful.

I am an unabashed Emma Stone fan, but this was simply a bad choice for the Oscars. If she wanted to wear a lady tux, she should have gone the Evan Rachel Wood route or something, this getup feels like she couldn’t be bothered to dress up for the event. Since her gown last year was my favorite look of the night, this felt like a let down. A shiny, badly ironed let down.

This is…a lot of look, Taraji P. Henson. Look, far be it from me to shame women for dressing sexily, but I’d suggest either side cutouts, or a dangerous thigh slit. Both feels like too much. The fabric choice, art treatments, and general shape make this look more like a costume to me than couture.

Bad prom dress with an awful hem. Awful.

I adore Saorise Ronan’s acting but this Calvin Klein didn’t work for me at all. But C., you cry, what of Danai Guira’s gown you praised just moments ago! Well, guys, that was better rendered than this. The color choice (with a monochromatic shoe) washes her out badly and her makeup and hair could have been much bolder in contrast to the relative simplicity of the gown. This is case of poor styling making a basic gown bad.

 

 

The Ugly

There is a theme to this category this year and it’s “too much.” Everything that I hated this year was overdesigned, overly weird (and let the record show that there is a good way to do weird on the red carpet), or

Whoopi Goldberg…your team dressed you in a bad curtains or bed sheets and badly rumpled ones at that. Fire them all instantly.

 

St Vincent…what happened to your pants? This is what should be called “pulling a Bjork,” and while I’m all supportive and for more eccentric dressing, this goes well passed that and straight into whacky.

Amatus Sami-Karim makes me sad here because I’d love to see a colorful motif dress just blow the competition away, but this dress feels badly overdesigned in every way. There are too many elements that don’t seem to go together: the pearl studded mesh sleeves that aren’t sheer enough to be sheer or opaque enough to go with the rest of the gown, the train treatment clearly is supposed to be feathers but just looks messy, and the fabric choice looks cheap when I’m sure this thing was bloody expensive. Render this in white matte silk with a more cohesive sleeve treatment, and let that colorful embroidery sing, and this could have been a contender. The hair and makeup, however, are stunning. So is Mahershela Ali, while we’re being honest.

Salma Hayek was done no favors by Gucci, this was bad top to bottom. Seriously, go google some more images of this thing, it’s Not Good. Another case of far too many design elements all competing and clashing with one another and leaving its wearer much the worse off.

 

The Best Dressed

Allison Janey in Reem Acra looking downright, goddamn regal. It reminds me a lot of Lupita Nyongo’s red caped Ralph Lauren at the Golden Globes a couple of years back, which is a compliment all around, I think. The jewels are simple and stunning, the hair and makeup excellent, and the color simply but bold. The sleeves are allowed to do all the talking and they sing.

 

THE BOYS

Do you know what? Let’s hear it for the boys! A lot of men showed up and spoke up about the media year in review, including the #MeToo and #TimesUp movements, which is nothing but good. And in more frivolous news, a bunch of them ditched the standard black tux this year and actually did something interesting in their fashion choices. More experimental male fashion! More color! Less heteronormative rigidity!

Daniel Kaluuya does Col. Mustard in the best possible way!

Tom Holland does British tailoring. He looks adorably serious.

Armie Hammer does red velvet. I and a seeming lot of lady Twitter all felt pretty good about this (*waves hand to encompass Mr. Hammer’s entirety) whole situation.

Chadwick Boseman. Long live the king!

Timothee Chalamet actually makes a white tux wearable and not a horrible 80s tribute.

You know what, Adam Rippon? Go for it. Fetishwear on the red carpet and shoes without socks, you let your freak flag fly, sir.

What I Bought This Month

“When you don’t dress like everyone else, you don’t have to think like everyone else.”
― Iris Apfel

As we begin to wind down style month here, as promised, is an account of what I’ve bought since my shopping ban lifted. Though I’m not going to make a formal commitment (my next ban won’t be until next year), I’m going to make this the last round of personal purchases for a long time. Jeff is looking to buy a new suit and possibly a sports coat (his vice of choice), while I want to continue to shop my own closet the way I have been for the past few months. Now that I’ve done a few clear outs and a bit a streamlining to both my wardrobe and my bathroom shelf, I’m more happy than ever with what I already have. My trusty, long running list of items I’d like to buy has had a couple of ticks put in it, and even more items eliminated as I reevaluated my needs. Only three items remains, and in the case of all of them I’m happy to wait a few months before buying them.

And so, what needs and indulgences made the cut? Read on!

Bite Prismatic Pearl Creme Lip Gloss
A pure indulgence that I didn’t need, but wanted a great deal. I was as a magpie drawn to shimmer and I don’t regret it in the slightest!

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Phone photos don’t do these beauties justice. The shimmer is strong!

Anastasia Beverly Hills Modern Renaissance Palette
My eye makeup stash had a gap I wanted to rectify: lack of color. While I had a few dashes of pigment in my supplementary bits and pieces, my eye shadow collection was overwhelmingly neutral. Since my eyes are green, I knew I wanted something with red and purple tones in it to play up the color, and I’d wanted this palette for a long time. Add a coupon code to the mix, and I snapped it up. And I solemnly swear not to buy any more eyeshadows until I’ve hit pan on what I’ve got.

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The whole thing was supposedly inspired by the tones found in Renaissance paintings. Which means that from the get go, it had my name written all over it.

A vintage faux fur coat
While Etsy-scanning I stumbled upon a coat designed in the 80s but looked like it was from the 20s and looked like something a flush bootlegger’s girlfriend would swan about in. I required it. Many thanks to Katarina who is coming to visit this summer; I enlisted her aid in conveying it to me when she does and she, darling that she is, agreed. Also, you’ve got a hint as to one of my perpetual style inspirations in the screengrab: Agatha Christie murder mysteries. That Interwar period look gives me life.

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I can’t tell you how much I’m looking forward to winter now!

Everlane tops and jumper
Everlane had one of their international shipping promotions and so I picked up some replacement t-shirts (all of my current t-shirts were a couple of years old and stretched or sagging in less than flattering ways). There are few joys quite like fresh cotton, whether new shirts or clean sheets! I also picked up a jumper and a summer top. I’d like to get a couple of their silk tops for work, but am biding my time until another international promotion comes around. I didn’t snap photos of these because, let’s face it, I’m not a style blogger and lack some of the basic skills!

Joy skirt
I’d wanted a mid length skirt for a while. I found one with both pockets and with a designed in a repeating pattern of lipstick tubes. I really don’t feel like I need to explain this any further.

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I mean, seriously, come on!

Apart from the personal purchases, the thing I’m really happy we bought this month are two vintage chairs for the house. We bought a very nice couch and bedroom set when we moved to our current apartment and new it would be several months before we could afford to buy anything else in furnishing it. The waiting has been boring and I’m impatient. But at long last we found a beautiful pair in the style we liked and in our price range. It will be another few months before we can buy our next piece, but these beauties will hold me over I think.

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Use What You’ve Got: The Psychology of Shopping Your Closet

“When a woman says, ‘I have nothing to wear!’, what she really means is, ‘There’s nothing here for who I’m supposed to be today.”
― Caitlin Moran, How to Be a Woman

Based on an unscientific gathering of stories from my friends, coworkers, and pals, I’m convinced we all have great stuff in our closets that we don’t use. There can be a lot of good reasons not to wear what we’ve got, which is a topic for another day, but today I want to focus on the bad excuses for not using what we already own. Or at least one in particular: the “I bought it special” excuse.

I’m going to push the boat out and just say that if you’re saving unworn items in your closet for “special occasions” (with exceptions of somer event-wear) you’ve wasted your money or let your emotions do your shopping for you. I used to be a particularly bad offender of this and would buy clothing that I wanted to wear…but never got around to wearing because I didn’t think I had the right occasions to do so.

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In some cases, I had indeed purchased irrelevant items, which was due to me not really having a handle on what my actual clothing needs were for my then-lifestyle. But in other cases, I’d purchased clothing that could be considered aspirational. It was a bit nicer than my other items, more dressy, a different style, or just out of my current comfort zone. I loved them, but I bought them thinking that I needed to wait for the “right time” to wear some of them, that they were “too good” for my day-to-day casual life, or that wearing them would require some effort. Hilarious since, in retrospect, what I was purchasing five or even ten years ago was fairly cheap all things considered.

I no longer subscribe to this way of thinking at all. Not only is wasteful as a consumer (many of my purchases of yore ended up sold, donated, or given to friends unworn at some point), but I simply don’t see the point in owning something if you don’t wear or use it. You’re missing out on a good deal of easy pleasure and contentment with your wardrobe, and often adding a lurking sense of disappointment, guilt, or sheepishness about owning things you don’t touch.

For example, a couple of years ago I’d saved up to purchase a nice work handbag which I’d researched, considered for a long time, and found an amazing deal on.  I’d bought it specifically to upgrade my professional wardrobe and knew how I wanted to use it with my existing clothes, but for a long time was afraid to take it out of its dustbag. What if it got scratched or smudged? What if I dinged the hardware? What if I scuffed it? I was so nervous about putting any wear and tear on it, that I failed utterly to use it. It sat, reproachfully, in my closet for months before I confronted myself about it.

Of course I would need to care for it more carefully than I would a cheaper item, but eventually I had to acknowledge that any bag, no matter how coddled, was going to show signs of use. That’s what happens with any item, even a well tended one. In the end, I decided I either needed to resell the bag, or actually use it the way I had purchased it to be used. I chose the latter. And then I went through my closet and ruthlessly applied the same rationale to another of other items. That Liberty scarf in the image above was another similar victim of overcaution. Originally bought to celebrate a raise, I had almost never worn it out of worry that I’d damage it in some way. There were at least five other pieces of clothing or accessories that had similar excuses attached to their lack of use.

Far from having nothing to wear–a common complaint uttered when staring mournfully into a wardrobe–I just hadn’t been giving myself permission to wear what I wanted…and already had.

I own fewer items of clothing than I did while at university and my early 20s, but what I own now is of much better quality. More importantly, everything is worn regularly, including my more expensive pieces. I’m willing to occasionally fork out for beautiful vintage or consignment designer pieces, but only if I commit to myself to actually use them. I’m no longer worried about wearing them out–I’ve learned to take better care of my clothing over all, and I’ve come to the healthier mental place of acknowledging that ultimately, as beautiful as they are, they are just things. I get more satisfaction from my treasured pieces by letting them see the light of day than I do from looking at them on a hanger.

Don’t get me wrong, aspirational clothing still has its place (I’ve found the adage of “dressing for the job you want” to be a useful one), but I maintain it is no good to you hanging in a closet. Use it. Your wallet will be grateful and your mirror will be flattering, I promise.

Your turn. Have you every had items languish in your closet? What were your reasons for buying but not wearing? Are there any items which could do with a bit more love? 

Serial Monogamy: A Perfume Story

“A woman’s perfume tells more about her than her handwriting. ”
― Christian Dior

I have long been in love with the idea of a signature scent. I say “idea” because while I was faithful to Coco Mademoiselle for several years in my early 20s, we broke up at some point and I’ve been a hussy, jumping around ever since trying to find something I could wear every day without getting bored or smelling it on every other girl (or guy!) who walks down the street. I’ve fallen love with another scent more than once, but not one worth forgoing all other scents for.

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At the moment I’m finishing up a bottle of Hermes Jardin sur la Nil, and am in a torrid, wild affair with Passion Boisee from Frapin, which is a perfume house that grew out of a French family cognac business that’s been going since the 13th century. This scent is the nearest I’ve yet come to fidelity! I also have a bottle of Commes des Garcon in Amazingreen which I bought against the day that my Hermes runs out, and a small spritzer of Replica by Maison Margiela in Jazz Club. As you may have gathered from the scattering of testers, I’m already on the hunt for the next fragrance up to bat when either of these go.

There are themes to my perfumes. I hate most florals and strongly prefer scents that are at least slightly masculine. Woods and spices are my go tos, with a healthy heaping of bergamot–since my Chanel days, I’ve never fallen in love with a fragrance that didn’t have bergamot listed in its ingredients. Know thyself, C.. I also sometimes steal a spray of Jeff’s cologne: an expensive bottle of Tom Ford that I don’t begrudge the cost of in the slightest because I adore it on him and it lasts forever. He mock complains whenever I bury my nose in his shirt or neck to catch a whiff, but you can tell he’s pretty chuffed to have such an easy way of seducing me with pheromones.

I’m still open to the idea that I will find The One, but these days I’m more okay with the notion that I may continue to play the field. I’m mostly faithful to whatever bottle currently lives on my nightstand–or two to be honest, one for warmer seasons and one for cold–but my eye, it roves. Always looking for the next best thing.

Because, kittens…at a deep and fundamental level, I’m a snob.

That bark of laughter you just heard was Jeff in the other room. “No kidding,” I believe was his precise response.

Well, there’s no helping it, I am a snob and I don’t like smelling like everybody else. First of all, there are a lot of glorious scents in the world–an almost infinite variety of combinations and notes that can be combined and recombined in ways that make even your favorite individual scents feel new and exciting while still invoking nostalgia. Secondly no perfume will smell exactly the same on you as it does on anyone else. Skin chemistry is neat like that! But that’s still no excuse for every girl in the lift to be wearing the same fragrance.

I think that the plethora of luxury brand perfumes (usually by major fashion houses) is completely understandable. Most of us may not be able to afford a Chanel jacket or bag, but we can afford a splurge on Chanel cosmetics here or there, and what has as much staying power as perfume? Well crafted and distilled, you shouldn’t need more than one spritz a day (possibly two in a pinch) and so a single bottle can get you through months if not years of wear. And so these scents organically and naturally permeate through pop culture and Instagram feeds. There’s no shame in it and if you have a beloved fragrance that you genuinely love that just happens to be popular, I will be the last woman in the world to comment on it. Heck, I’m just about to polish off a fragrance by Hermes that I picked up four years ago! I won’t be repurchasing it, but I’ve enjoyed wearing it for four summers in a row immensely.

But the truth is that I enjoy feeling that I’m wearing something just a bit different. In reality I know that tens of thousands of guys and gals are wearing the same scent as me, but the illusion is powerful. I enjoy stumbling into niche perfume sellers in corners of London or cities I visit on holiday and finding something quite unlike anything I could pick up at the Nordstrom’s counter. I like the (admittedly false) exclusivity of smaller, less well known houses who are making perfume the way that connoisseurs make cheese or wine–in small batches and to their own preferences or taste. I like feeling like I’m wearing something secretive and interesting. Like unto red lipstick, the effect may be purely psychological, but it’s real.

 

Your turn. Are you a one-perfume man or woman, or are you playing the field like me? Do you have a particular memory associated with a scent? Do you have or want a signature scent, or do you find the idea silly (or just plain boring)? Talk to me! 

What I’m Not Going to Buy – Inspired by Kimberly Clark

“The most beautiful makeup of a woman is passion. But cosmetics are easier to buy.”
― Yves Saint-Laurent

Kimberly Clark is a YouTuber I mentioned in my March favorites post. A drag queen who vlogs on beauty, consumerism, and social issues, her content is frankly right up my street! She’s most notable for her “Anti-Haul” series where, in contrast to other glam influencers who show off their (often extravagant) mass purchases, she creates fun and enjoyable videos detailing what she is choosing not to buy–and why. Her style is quintessential drag, humorous and hyperbolic, but often intermixed with valuable thoughts on brands and consumer culture.

I really like her take on being honest and blunt about wanting, buying, and enjoying products that are fundamentally unnecessary, but also honestly evaluating (in her opinion) when certain products or brands cross the line into downright ridiculous. Her catch phrase, “I don’t need it and I’m not going to buy it,” could save us all a lot of buyers remorse–and not just on beauty and style products.

And so, following the exposé of my stash, and in the spirit of glitter, big hair, and smarter consumption, here’s a list of things I’m not going to buy:

Stila Magnificent Metals Glitter and Glow Liquid Eye Shadow. Something strange has happened lately and I’ve found myself drawn inexorably to metallic cosmetics as if I were some kind of earthbound magpie. These things are outrageously high on shine and ever since swatching them on my hand to test both their reflective might (strong) and staying power (fairly decent for something so glittery), I have coveted them fiercely. But I’m not going to buy them. I have two semi-metallic shades of cream eye shadow that are more muted but still plenty shimmery and can work for both work or going out depending on how I use them. They would be tons of fun, but–in the words of Kimberly Clark herself–I don’t need them so I’m going to buy them!

Bobbi Brown City Palette in London. I fell for this compact due to the combined powers of an intense navy shade and the illustrated case that pays homage to my favorite city on earth. But pretty as they both are, even I must admit those are insufficient reasons to splurge.

Anything by Tom Ford, with the exception of the eyeliner pen which is genuinely great in spite of the price. Because when your brand charges $50 for lipstick, $110 for bronzer, and $80 for blushes…I expect your products to not only make me eternally young, but to do my laundry, clean my house, and file my tax paperwork in the bargain. No one needs to spend that much money on on this stuff. Nobody.

Glossier Cloud Paint. Like the liquid eye shadow, I definitely want this and am intrigued to try it. I don’t entirely worship at the shrine of Glossier, some of their products are a bit overhyped or underwhelming…but the products of theirs that I do like, I buy in multiples. However I’m not going to be buying this product, at least not any time soon, because I have a lot of blushes already. I haven’t bought all of them, a good number I was very generously gifted to review by a magazine, but the fact remains that I have a drawer full already and simply don’t need more at the moment.

Any more highlighters. Sephora can tempt me with all the glow they can bring to bear, but I own a handful as it stands. I can look dewy, bronzed, or downright gilded if I want to already, so I will be sitting on my hands every time I’m tempted by something shiny until I’ve used up some of my existing stock.

Most limited edition anything (fully acknowledging that my own shopping ban cheat indulgence was precisely that). In almost all instances, the “limited edition” nature of these items is to meant to enable markups on already existing formulas and products. Moreoever, more than one brand has rolled out a “limited edition” product to outrageous hype, only to have it become a viral success–at which point it behooves the brand to add the item to their normal roster anyway (a great example of this is Becca’s Champagne Pop highlighter). Which means that all you paid for (normally at some kind of mark up) is the urgency. There are new product launches all the time and it is a rare item that will truly fill a gap in your stash and be worth the higher price tag.

New Nars Velvet Matte Lip Pencils. Full disclosure, I love these. I own two and could gleefully own more, but I’m sitting on my hands in defiance of their recent release of new shades because…I have an obscene amount of lip products already. I’m not buying another stick until I’ve used up my existing ones. So help me god.

Anything Kylie Cosmetics. I fully admit to an irrational prejudice when it comes to this family in general, but that’s just not a direction I want to send my money.

 

Your turn, ducklings. What is one thing (or a list of things) you want but have made a decision not to buy–frivolous or otherwise? 

My Makeup Arsenal

“Beauty, to me, is about being comfortable in your own skin. That, or a kick-ass red lipstick.”
― Gwyneth Paltrow

Here it is, I’m throwing open the doors on my current makeup stash.

It’s taken me a long time to build this sucker up and, as previously written, I’m fairly happy with it overall. I’m sure it’s a lot larger than some of yours, and I know for a fact it’s a lot smaller than others! But in spite of the time and expense, makeup and beauty in general is an area of life that gives me a lot of pleasure and joy, so I don’t make a lot of apologies for it.

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Eyes

The eyes have it…though I’ll readily admit this is the makeup area with which I am least proficient–though I’m constantly practicing for improvement and rare is the weekend that will find me without some kind of color experiment on my lids! My eyes are a very noticeable shade of green and I like to play them up. I have one palette containing some neutral shades with both matte and shimmer formulas by Nars (with one standout shade of blue for a kick), and another containing all matte formulas in warm, neutral shades by Viseart. I also have a tiny travel sized palette for when I need to hop on a plane or train with just one bag to my name.

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I’m not terribly keen on eyeliner, so the three I have are (ironically) a bit wild. Two are blue shades, the other is a shimmery gold, all by Urban Decay. They get most of their love and use on the weekend. Then I have a couple of Charlotte Tilbury cream shadow sticks in Bronzed Garnet and Gold Digger, and ditto Nars in Reykjavik and Aigle Noir for a basic smokey eye look that even I couldn’t mess up.

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For standalone eye colors not be to be found in a palette, I have two Charlotte Tilbury cream shadows in Marie Antoinette and Verushka (an “oyster gold” and an “minky-mossy” green respectively), one MAC shadow in Antiqued (a warm, reddish brown with shimmer) and a Laura Mercier shadow in Plum Smoke.

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Powders and Blush

When it comes to powders, this is an area that has grown a lot in recent years. I own a shedload of blushes, but should note right away that last year I was invited to review about half a dozen different blush products for a magazine. They provided me the blushes to use and review, which effectively doubled my collection–though some I’ve passed on to better homes since then. The fact still remains, I’ve got a lot!

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I’ve been in a bit of a neutrals “moment” when it comes to blushes for a while now. In my salad days I was a sucker for a bit of shimmer but as my tastes have changed, I’ve pretty ruthlessly cleared those out in favor of matte formulas. The one exception is Nars’ Orgasm blush which I bought years ago, fell out with, gifted away to family, and then was gifted back again as part of my product review opportunity. It’s sticking around until summer when I’m going to give it another proper trial. Now my blushes are all shades of nude, peach, and pink in a couple of instances that look fairly natural. My obvious standout is Nars’ Exhibit A, a bright orange red that looks shocking in the pan and gorgeous on the face (a light touch required).

I’ve also included my one bronzer from The Body Shop, which I’m still learning to use without looking ridiculous, a finishing powder by Hourglass in Dim Light, two highlighters by Becca in Moonstone (poured formula) and Champagne Pop (powder), and a translucent setting power by Laura Mercier. My latest edition to this family was my cheat item from my shopping ban, the highlighter form the Estee Lauder and Victoria Beckham collaboration in the shade Modern Mercury. It was ridiculous expensive, but I’ve been wearing it almost nonstop since I bought it. Regrets, I’ve had a few, as the song goes, but this isn’t one of them!

 

Foundation

When it comes to foundation, I’m much less ridiculous and I have two go-to products: the Laura Mercier tinted moisturizer in the shade Natural and the Giorgio Armani Luminous Silk Foundation in the shade 5. Based on a lot of recommendations, I’m currently road testing the It Cosmetics CC cream in a “trial size” version to see if I can find a slightly cheaper mid-to-high coverage option in place of the Armani when it runs out (which I love deeply but it it is expensive). I also chucked in a cream highlighter by Becca in the shade Rose Gold which I tend to use as a blush, a Glossier highlighter in Haloscope, and two primers–one by Makeup Forever, and another by Givenchy. I was late to the primer game, but have been converted.

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Other Bits

In the bits-n-bobs section, I have my eyebrow products (one pencil by Anastasia Beverly Hills, and Glossier’s Boy Brow), one eyeliner pen (by Tom Ford, hideously expensive, but very good), and two concealers (Glossier Stretch Concealer in Medium for light coverage, Clarins Instant Light in 01 for fuller coverage).  My mascara is and for years has been Maybelline’s Full’n’Soft. It’s unfindable in the UK, but I stock up on a tube or two every time I go back to the States.

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Lip Stuff

And finally, the heavy artillery of the arsenal: my lipstick. I have…a lot.

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I break my stash down into light and dark colors (though that’s just for storage, I don’t really switch my shades in accordance with a season. I tend to just wear whatever calls to me on any given day).

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I also separate out my liquid lipsticks and glosses. I’ve only been into these for about a year and all of my liquid lipsticks are from Kat von D’s line, which I really like. My recent additions are two highly metallic glosses from Bite Beauty (who, you will notice, are by far my lipstick brand of choice). I don’t really like glosses, but I was drawn two these Prismatic Pearl Creme Gloss products (in Champagne Pearl and Oyster Pearl) like moths to a flame. They look like liquid metal on my lips. Practical, no. Gorgeous, yes!

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And there you have it. A 100% honest tour of my treasure hoard…er, minus whatever may be hiding in my purse that I might have forgotten to take out, now that I think on it!

I think it’s obvious why I think I don’t need any more until I’ve used up quite a bit of what I’ve got. But I admit it can be hard to ignore the siren song of a really beautiful piece of kit. Makeup makes me feel better, more in command of my presentation, like I’m not just able to highlight different features but different aspects of my personal based on what color I swipe across my lids or lips. More on that later this week!

 

Your turn! Do you love makeup? Loathe it? Is there a specific type of product you’ve either come around to lately, or gone off of entirely? Do you hoard a specific type of product and if so, why?