How did it get so late so soon?
It’s night before it’s afternoon.
December is here before it’s June.
My goodness how the time has flewn.
How did it get so late so soon?
-Dr. Seuss
Time for a round up of a few of the things that sparked some joy this month. What books, blogs, beauty, or other good things got you through, dumplings?

Grunt, by Mary Roach. I read this book in two sittings and enjoyed it tremendously. As a military brat I grew up in the military support system and can speak to a lot of the services that have been put in place to provide for servicemen and women and their families, but this was an investigative work into the science that keeps troops alive and healthy, or tries to put them back together again once damage has been done. A nice alternative to the science of weaponry or other more stereotypical topics you see in military writing.

Spritzer, by Bite Beauty. For some reason, and totally in violation of holiday expectations, I’ve been reaching for purple lipsticks this month and slathering them liberally. In fact a quick review of my Instagram feed confirms that it’s been all lavender and eggplant up in this joint for weeks now. This is a vivid pastel (yes, that’s a thing) with fantastic coverage in spite of its light hue. It’s what the Sugarplum Fairy would wear, were she a consummate urbanite–a ballet concept I’d be intensely interested in, by the way.

22, A Million, by Bon Iver. A gorgeous, unusual album that finally got me to listen to something besides Solange’s Seat at the Table. You can enjoy the equally odd visuals that go along with the record by watching the whole thing on YouTube, go forth and enjoy!

Six Wives with Lucy Worsley, by the BBC. Sometimes you just need a good historical documentary, am I right? This one is not without its flaws, but as my academic girl crush is none other than Dr. Worsley herself, I will brook no argument. Except that some of the costumes are lacking…sorry. All I’m saying is that Anne Boleyn got shafted in the headgear more than once–bias leaking into production, I wonder?
Season 4 of Call the Midwife, Netflix. This is a much underrated series in my opinion, but it uses a combination fiction and history to cover a lot of topics that are just as relevant in 2016 as they were the 1950s post-war Britain that the show is set in. Immigration, sexuality, family, politics, the positives and costs of social welfare–and all through a decidedly female lens and perspective. Season 4 was recently added and is worth a watch.




























